I wasn’t bowled over by the idea of Netflix ownership but a merge of Paramount and Warner seems way, way worse. In a sane political situation this would raise huge antitrust concerns but… well, here we are I guess.<p>If it does go through I wonder if there’s a scenario where it still works out for Netflix: they could pick up assets at bargain prices when the merged studios inevitably sell and lay off everything they can.
Netflix is going to buy them both for the same price in about 5 years. Paramount is a highly leveraged company. They are not going to come out of this very expensive acquisition unscathed.
I'm hope not, and that they'll instead spin out WB, for it to be gobbled up again. Anything done three times is tradition, and breaking it just wouldn't do.
As long as they get to keep a media alt-right afloat in politics, it doesn't matter their value.
I would not bet against RedBird and Ellisons.
The Ellisons have zero liquidity issues. Theyll sell off parts to cut costs but no chance they sell the stuff they actually want
This means Netflix still has all that cash they were planning to spend on WB, <i>plus</i> the 2.5B breakup fee from WB.<p>They could arguably just build a better WB from scratch with that kind of money.
Or just buy Paramount in a couple of years.
$2.8B! Which isn't huge next to Netflix's market value of $357B... but when you compare it with its $45B 2025 yearly revenue, it's at least a noticeable bump. You could make almost 4 five-season-long <i>Stranger Things</i> with it.
It's WB's back catalog that is the main prize.
They've spent many multiples of that on their throwaway binge content but that doesn't get them to something as culturally valuable as WB.
Well, Netflix did succeed at making the Ellisons pay a large fortune for something that costs a small fortune.
waits 20 minutes, cool, interest just covered whatever that extra was
Netflix so far has been the only consistent winning team in the streaming competition.<p>It is pretty clear that Trump wanted Paramount to win so it is smart for them to cut their losses.
Now they can control millennial and younger minds by controlling what CNN broadcasts.
Young people are more into TikTok than CNN, and the Ellisons already control that in the U.S.
…young people don’t watch CNN.
I feel like you're posting some humorous sarcasm and are being misunderstood.
Nobody watches CNN
Interesting perspective, here, from someone who has observed a tiny bit of unknown streaming history.<p>So, way back in the day, 2005, Turner Broadcast corp. launched this weird-ass thing, known as GameTap <a href="https://en.wikipedia.org/wiki/GameTap" rel="nofollow">https://en.wikipedia.org/wiki/GameTap</a> . It was a subscription-based service that offered on-demand retro videogames. While it started as a way to play MAME Pac-Man and Metal Slug legally from a legit service, it grew into a competitor in the online games market arena in a time when Steam was still nascent.<p>The whole thing was created by this amazing fellow named Blake Lewin. Blake was really sharp, and having built this on-demand, streaming emulation service, he even went on to add at-the-time-modern games. Now, this stuff literally just installed the game on your HD and let you play, so it wasn't quite Stadia or Luma, but it was absolutely ahead of its time, and it was really slick.<p>I was a journalist then, and while games journalists get pampered, Turner moving into games was on another level. They launched this thing at the Armani Store on Market St. in SF, and when you walked in, they asked you to pick some sun-glasses from the case to take with you when you left.<p>GameTap was great and even gathered a following, but from the moment it launched, I knew what it really was: Turner's scientific experiment to build the infrastructure to later allow it to stream its enormous library of content. Movies, cartooons, TV shows, etc.<p>I was having lunch with Blake, a few years into GameTap, and I asked him point blank how the video streaming prototypes were coming (pure guess, no evidence). He was baffled and wanted to know how I knew they were working on that. Said it had been going great!<p>But in the end, the service never launched, AFAIK. Maybe some remnant is still there somewhere, but it just shows, you can be years ahead in your planning and development, and still end up alone at the end dance. It's a shame. Turner has so many great things in their library, why is it not possible for me to just pay someone for access to all the old movies in the TCM vault!?
I vaguely remember watching a video that held that a huge factor in the dot-com crash was a revelation that the build-out of broadband (last-mile fiber-optic in particular) was going to be way slower than initially thought, which left a ton of nascent services dead in the water.<p>It feels like that was something companies were still feeling the sting of through the early 2010s. So many services and platforms that launched and, whoops, there still aren't enough Americans with fast-enough internet to support them. And then echoes of it in sectors like VR.<p>The thing is, it wasn't just that all of these companies were making stupid miscalculations. They seemed to have been earnestly following forecasts for adoption, only to have the other companies that controlled how much of the public was going to be able to access those resources in the following month, year, 3 years, etc., slow-walk their roll-outs for their own strategic benefit.<p>It makes me feel a little better that I can almost never afford to be an early-adopter for these things anyway, but it's frustrating as a consumer to see how long it takes for them to finally hit the market in a robust way (and eventually become cheap enough for mass consumption).
After the Paramount & Warner merger it will be good if they launch a Criterion Collection type of thing with the outstanding back catalog, going in the other direction of streaming, and producing and selling good quality Blu ray hardware. In my dreams of course.
My guess is that they are looking forward to juicy licensing deals with OpenAI, Google or Meta for the rights to generate AI content featuring Batman, Harry Potter, and other characters in the WB stable.
Paramount agreed to pay the $2.8 billion breakup fee that WBD would owe Netflix if that deal didn’t go through.
Unfortunately Paramount will retain HBO, and auction off Discovery, which no one wants anyway.
Paramount's financing package combines roughly $45–46 billion in equity with more than $57 billion in debt.<p>The deal values Warner Bros. Discovery at around $111 billion ($31 per share), and including WBD's existing debt, the total takeover comes to more than $110 billion. NBC News<p>It would be the largest leveraged buyout (LBO) in history, with $87 billion of total pro forma gross debt and an estimated gross leverage of approximately 7x 2026 EBITDA before synergies.<p>Seems like a poor decision driven by ego.
Maybe running up the price was part of the point.
So NF is just not matching or exceeding an elevated Paramount offer... But could WBD still choose the already on the table NF deal at the end of the day? I guess with the sort of statement that Netflix made though, it's likely WBD would not and realizes NF is just done at this point. Or maybe it's some sort of double bluff by NF? Hard to really know for sure.
Well, hope you enjoyed Pax Americana. We're heading into something that feels... about halfway between reich-y and soviet-y, at least on the propaganda front. Which is deeply ironic, of course.
Like many things, phone OS, desktop OS, CPUs, GPUs, ride sharing, credit card payments, video game consoles, we are heading towards a Disney/Paramount duopoly
This means CNN will now be controlled by Ellison. CNN will become another Fox news.
RIP Superman
CNN; Midterms
Easiest $2.8 billion made in history?